Rap Genius: Top 5 rap lyrics of the week — Lupe stays outstanding
RAP GENIUS - The real action this week was elsewhere, as rappers both old and new spit a stunning variety of brilliant lyrics -- in one case, right under the nose of MMG...
This week saw the release of Maybach Music Group’s SelfMade 2 album. Â The Rick Ross-hemmed crew delivered their normal boasts about drugs, women, and money, all set to cinematic-sounding beats. Â However, the real action this week was elsewhere, as rappers both old and new spit a stunning variety of brilliant lyrics — in one case, right under the nose of MMG. Â Below, the lines of the week.
5. Â “Can’t stop, in this to win this/Bad boy, Dennis the Menace” — Peedi Crakk, ‘M.O.R. Whatup’ lyrics
We at RG have been supporters of Peedi Crakk (now back to his drug-inspired moniker after a short stint as “Peedi Peedi”) since his days with Beanie Sigel’s State Property group. Â There’s a reason that, despite his tough-guy persona, Peedi was briefly rumored years back to be joining The Roots — he’s (almost) good and inspiring enough to hang with that group’s Black Thought, one of the greatest rappers of his generation. Â In this comeback tune, Peedi sounds absolutely blazing — but that’s not what got our attention in these opening lines. Â Mostly, we just think it’s really funny to hear Dennis the Menace mentioned on a rap record.
4.  “Ya boy flex like Hulk Hogan on the crapper/I spit super hot fiyah, but I am not a rapper” — Thewz, ‘Lyrical Exercise Pt. 2’ lyrics
Thewz spits a great series of punchlines here. Â He puns first on the 24-inch-python heyday of the Hulkster in a graphic but hysterical way. Â Then he name-checks an absolutely hysterical rap battle parody video that has lately been our favorite thing on the Internet. Â For introducing us to that satirical masterwork alone, Thewz makes it onto our list.
3. Â “Cause in a sense, Barack Obama’s daddy was an immigrant/If he could be President, then you should be a resident/But Robert Bent’ and Jan Brewer’s too prejudiced” — Rhymefest, ‘Who’s Illegal?’ lyrics
Chicago’s Rhymefest teamed up with Jasiri X (himself no stranger to our Lines of the Week list) for this powerful tune and video in support of undocumented immigrants. Â For his unqualified support of those folks, and for calling out the racism inherent in recent Alabama and Arizona laws dealing with them, Rhymefest deserves countless kudos.
1. (tie) Â “‘Bad’ mean good to her, she really nice and smart/But ‘bad’ mean bad to him — bitch don’t play your part/But ‘b*tch’ still bad to her if you say it the wrong way/But she think she a b*tch, what a double entendre” — Lupe Fiasco, ‘B*tch Bad’ lyrics
It was near-impossible to choose between the top two contenders on our list this week. Â Both are beyond superb, and are by two of the greatest lyricists working today. Â Lupe brings us another in his recent long series of outstanding songs with “Bitch Bad”, a tune that deals insightfully and compassionately with the damage done to young psyches by the constant misogyny in popular music. Â The tune shows its long-term effects on a young boy and a young girl, and culminates in this line. Â In just a handful of words, Lupe deals with sexist double standards, internalized misogyny, and the difficult fight for self-respect in a culture dripping with hatred and contempt for women. Â In all of that, he somehow still manages to work in some self-conscious wordplay. Â You couldn’t possibly get any better than this…
1. (tie) “Hell’s fire, I never lie, you will never grind/I know the prior they running by us when we do crime/I know that Section 8 wanna discontinue my moms/When they heard that Ohio State gave us thirty racks in July” — Kendrick Lamar, ‘Power Circle’ lyrics
…except for this. Â Maybach Music Group invited Kendrick Lamar to guest on one of their songs, and he obliged by completely destroying everyone else on the track. Â His verse on “Power Circle” is a lesson in imagery, phrasing, cohesion, and flow — especially in contrast to the one-dimensional tough-talk that dominates the other performances on the tune. Â This short excerpt gives some idea of the verse’s scope. Â It moves from religious imagery to a nod to the vicious cycle of police racism and black over-representation in the prison system to a complicated brag — Kendrick worries that his newfound fame and drawing power won’t do anything except get his mom kicked out of her house. Â But in true stuffed-to-the-brim K Dot fashion, there’s one more hidden layer. Â The choice of Ohio State as Kendrick’s venue is not an accident — OSU running back Terrelle Pryor got in trouble in 2010 for accepting illegal gifts from school boosters, thus Lamar’s use of “prior” in this lyric as a homophone for the player’s last name. Â Kudos to both Lupe and Kendrick this week for showing just how many multitudes a hip-hop lyric can contain.
Bonus: Â Creative Math of the Week
“The square root of a kilo is me, ni**a/Do the math, I’m a motherf**king G, ni**a” — Rick Ross, ‘Power Circle’ lyrics
Our second-favorite moment of SelfMade 2 (after Kendrick’s verse, mentioned above) is this head-scratcher from MMG capo Rick Ross. Â The fact that it doesn’t make any sense doesn’t particularly set it apart from things a lot of rappers say. Â However, the fact that it’s said in Ross’ epic-sounding voice, with the utmost conviction, lends a touch of absurdity that we had to share with the world.
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