Love and Hip Hop
Jim has to calm down his mom while she goes off on Olivia. (Photo: VH1)

From Madame Noire BusinessThe season finale of Love & Hip Hop: Atlanta garnered record ratings for VH1 — 6.5 million people tuned in, tying the series with NFL pre-season coverage and once again solidifying VH1 as a leader in reality television. It’s interesting that VH1 continues to turn to majority Black casts for success in reality programming, a strategy that seems a better fit for its sister station BET.

Despite being owned by the same company, BET hasn’t been able to capture the success VH1 has seen in reality television. It seems like the network is scared to attempt anything groundbreaking. The history of criticism of BET’s portrayal of African-Americans is a long one.  Ever since Bob Johnson sold the channel to Viacom in 2003, BET can’t seem to get on the good side of its target audience.

The channel saw moderate success with the series College Hill, the closest BET has come to getting their strategy for reality television right. Seasons three and four brought record ratings at the time, though they’re dwarfed in comparison to Love & Hip Hop’s numbers. We won’t even talk about Baldwin Hills and Harlem Heights, the network’s shows chronicling the lives of the young and the attractive (and let’s not forget the boring). They don’t make a blip on the radar of Mona Scott-Young, the creator of the Love & Hip Hop franchise.

BET’s other strategy for reality television is to follow around celebrities. Keyshia Cole, Tameka “Tiny” Cottle, Toya Wright and even skateboarder Terry Kennedy have lent their lives to BET’s lens. Offering a sneak peek into celebrities’ lives sounds like a gold mine. But the stars they choose don’t have the influence to bring in overly impressive ratings.

Read the rest of this story on Madame Noire Business.